One of the key Brazilian participants in Latin America’s revolutionary midcentury concrete and neoconcrete movements, Lygia Clark (1920-88) is known throughout the world for her innovative approach to modular sculpture and forms of participatory art, as well as her paintings and engagement with art as a therapeutic practice. This volume focuses on the first decade of Clark’s career, during which the artist experimented with new forms of representation based on concrete art’s emphasis on the material character of shapes and colors.

Softcover
Publisher: La Fábrica, 2022
Book Size: 279 x 203 mm
Language: English

LYGIA CLARK: PAINTINGS AS AN EXPERIMENTAL FIELD 1948-1958

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